Seedance 2.0 AI Video Generation Prompts

A jungle command post in grey daylight, deep in thick wet rainforest. Tents, sandbags, antennas, and a big satellite comms dish in the middle of the compound. A giant alien — brownish-black, slimy, with long whipping tentacles — has ripped into the post, wrapped its tentacles around the comms dish, and is dragging an officer across the mud toward the tree line. At the edge of the compound, a soldier runs to a mounted gun. Sound: tearing metal, wet tentacles slapping, shouting men, the alien's low roar, radio voices. Shot 1 (0–3s) — THE HOOK: Low shot across the compound. The giant alien crushes the big comms dish in one set of tentacles while another wraps the officer's legs, dragging him backward through the mud toward the trees. Men scatter between the tents. One shouts into his radio: "IT'S GOT THE MAJOR!" Shot 2 (3–6s): At the mounted gun. A soldier drops behind the gun, loads it, and swings the barrel toward the alien — but holds his fire, the officer still in the tentacles. He calls on the radio: "Cut loose! Get behind the sandbags!" Shot 3 (6–9s): At the officer. He pulls a knife and slashes the slimy tentacle around his legs, breaks free, and dives behind a wall of sandbags. The alien, now empty-handed, lets go of the wrecked dish and slides forward into the open middle of the compound, rearing up tall and clear in the mud. Shot 4 (9–13s) — BIG SLOW-MOTION MOMENT: The alien is out in the open now, away from the men. The soldier fires the mounted gun. Bullet time — a stream of heavy rounds flies across the compound in slow motion, smoke and shell cases hanging in the air, smashing into the alien, slime and mud bursting off its body as its tentacles fling outward. Shot 5 (13–15s): Time snaps back. A big burst of fire and slime blows the alien backward into the mud, where it drops and lies still. The officer rises from behind the sandbags as the men run to him. Smoke drifts across the command post.

A single uninterrupted National Geographic-style cinematic sequence begins at sunrise with an extreme close-up of dew shimmering on wild grass. The camera glides low across the landscape to reveal children in a remote mountain village playing football barefoot on a rugged dirt field. Their laughter echoes naturally as dust rises with every kick. A powerful kick sends the football soaring into the sky. The camera follows the spinning ball in one seamless motion as it flies over rivers, dense rainforests, deserts, snow-covered mountains, bustling cities, fishing villages, and endless coastlines, revealing people of every culture playing football in their own unique environments. The ball finally descends into a massive stadium at golden hour, where a professional player strikes it toward the goal. As the ball hits the net, the camera continues rising high above the stadium, revealing Earth from space, where city lights subtly form the pattern of a football before fading to black. Ultra-photorealistic, National Geographic documentary cinematography, authentic human emotion, natural lighting, realistic environments, seamless one-shot camera movement, drone cinematography, macro photography, cinematic aerial transitions, volumetric sunlight, atmospheric haze, physically accurate motion, lifelike skin textures, realistic crowd simulation, HDR, IMAX quality, 8K, emotional visual storytelling, masterpiece, no cuts, no text, no logos.

Create a 15-second ultra cinematic luxury food advertisement for premium biryani, structured as 8 sequential scenes. Maintain visual consistency, warm golden color grading, rich contrast, shallow depth of field, and high-end commercial quality. Scene 1 (0–2s): A stunning elegant woman in a luxury hotel corridor, soft golden lights, slow dolly-in camera movement, slight lens flare, shallow depth of field, confident expression, premium vibe. Scene 2 (2–3.5s): Transition into a cinematic cloudscape at golden hour, camera flying forward through glowing clouds, smooth aerial motion, surreal and dreamy transition. Scene 3 (3.5–5s): Close-up of a traditional copper pot opening, steam dramatically rising, slow motion, macro lens, camera tilt-up from pot to steam, highly detailed textures. Scene 4 (5–6.5s): Extreme close-up of biryani rice and meat, steam flowing, cinematic macro shot, slow push-in camera movement, rich textures and vibrant spices. Scene 5 (6.5–8s): Chef plating biryani with precision, top-down + slight side angle, slow motion hand movement, warm spotlight lighting, luxury kitchen ambiance. Scene 6 (8–10s): Elegant woman holding biryani plate, eyes closed, smelling aroma, slow circular camera orbit, soft golden glow, emotional anticipation. Scene 7 (10–12s): Close-up of spoon lifting biryani to mouth, slow motion, shallow depth of field, cinematic side angle, steam visible, sensual food experience. Scene 8 (12–15s): Final hero shot of biryani in a royal bowl, steam rising, dramatic lighting, slow zoom-in, dark background with golden highlights, premium food commercial finish. Style & Effects: cinematic lighting, volumetric light, slow motion, 4K ultra realistic, high dynamic range, food commercial style, luxury branding, smooth transitions, film grain, depth of field, rich golden tones. Camera language: dolly-in, push-in, macro close-ups, orbit shots, aerial motion, slow zoom. Mood: luxury, indulgence, desire, premium experience.

FORMAT: 15s / 145 BPM / 15 SHOTS / beat-synced routine SUBJECT: @[image1]. WARDROBE: Sleep tee and lounge shorts at home. Tailored jacket, fitted top, trousers, and lace-up shoes outside. ENVIRONMENT: Tiny apartment, bright fridge glow, rain-dusted hallway, chrome metro, clean office, then a bedroom in cool window light. Everything feels glossy and lived-in. MOOD: Late-for-work panic, clipped momentum, breathless urgency, then an exhausted exhale. MUSIC: Fast percussive electro-pop COLOR LOGIC: Hyperreal Pop Look STYLE: Ultra-Realistic. LOGIC RULE: Keep logical consistency in wardrobe, props, locations, and action continuity across all shots. SHOT 1: ECU, 85mm push-in / 06:50 on the phone screen as it shakes on rumpled sheets. / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a soft sleep tee and lounge shorts. / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light. / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm rack focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth, hand relaxed and upright, mint foam and mirror eye. / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue fridge light framing a hurried grab for breakfast ingredients. / SFX: fridge hum, bottle clink, shelf rattle. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into eggs and toast hitting the pan under warm practical light. / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair. / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird's-eye insert, 35mm overhead / Cut on action into striped socks snapping on. / SFX: fabric stretch, heel tap. SHOT 9: MS, 35mm pivot / Camera wipe into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket, then her tote, keys, and transit card get scooped up in one messy grab. / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull. / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallax / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment door into corridor light without breaking stride. / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide into 85mm push-in / Sound bridge into the metro car interior only as she grips the pole, shifts with the carriage sway, checks the passing station lights, and snaps a tense glance toward the closing doors, reflected chrome streaking around her and the city smearing outside the window. / SFX: rail clatter, carriage screech, door warning chime, tight breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through fast before the chair roll and laptop open. / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into fingers racing across keys, chat windows blinking, coffee by the trackpad, and notifications stacking faster than she clears them. / SFX: keyboard burst, notification ticks, mouse click. SHOT 15: WS, 50mm pull-out / L-cut with a match from laptop close to apartment re-entry as the jacket drops, work clothes peel away, and she changes back into sleepwear before collapsing into bed in the opening frame shape. / SFX: door shut, bag drop, fabric rustle, blanket rustle, room tone.

[CINEMATIC SETUP] Film Style: Photorealistic 8K, 50mm anamorphic. Brass desk lamp casting hard amber light from screen-left onto a walnut desk. Fast editorial montage — snap-zoom between globe surface and civilization vignettes. Camera: Locked on desk for globe shots. Snap-zoom push-in for vignettes, snap-zoom pull-out to return. [TIMELINE — MONTAGE] 0-1s: DESK. A detailed globe on a walnut desk under lamp light. A hand spins it. 1-3s: Globe stops on Middle East. Snap-zoom in — painted surface dissolves into photorealistic aerial of irrigated farmland, ziggurats, oxen plowing mud. Golden dust. SFX: wind, chanting. 3-5s: Snap back to desk. Hand flicks globe. Stops on Africa. Snap-zoom in — ground-level view of Djenne mud mosque, gold traders crossing a market square, indigo-robed horsemen. SFX: drums, chatter. 5-7s: Snap back. Spin. Stops on South America. Snap-zoom — Machu Picchu at sunrise, terraces descending into cloud forest, condors circling. SFX: mountain wind, distant flute. 7-9s: Snap back. Spin. Stops on Europe. Snap-zoom — medieval battlefield, cavalry charging across mud, siege towers rolling toward a fortress, catapult arcs. SFX: hooves, metal clash. 9-11s: Snap back. Spin faster. Stops on East Asia. Snap-zoom — coastal trading port, wooden junks in harbor, silk bales on a wharf, fireworks above a pagoda. SFX: firecrackers, bells. 11-13s: Snap back. Hard spin. Stops on North America. Snap-zoom — Manhattan assembling in timelapse, steel girders rising, bridges spanning, electric lights flooding the grid. SFX: riveting, electric hum. 13-15s: Snap back. Hand lifts globe off stand. Lamp flickers off. Globe dissolves into photorealistic Earth from orbit — city lights blazing, a rocket trail arcing into space. Hand opens, Earth floats free. SFX: silence, single low tone. [QUALITY] Photorealistic 8K. Desk consistent as anchor between vignettes. Snap-zoom bridges painted globe to real landscape through shared geography. Each vignette 3-4 details, one primary motion. No text overlays. Consistent lamp color on desk returns.

Bittersweet Summer Romance – "【タイトル】" High-end cinematic anime. Clean 2D anime linework, warm golden lantern lighting throughout. 0–2s – 【出会い】 【場所の描写】. 【キャラAの外見と動作】. 【キャラBの外見と動作】. Camera slowly pushes in. 2–5s – 【楽しい場面①】 Close-up of 【2人の動作】. 【表情やリアクション】. Bright warm lighting. 5–8s – 【楽しい場面②】 Medium shot of 【2人の距離感が近い場面】. Camera slowly dollies in. 8–11s – 【クライマックス】 Close-up profile shot of 【2人の表情の変化】. 【感情が動く瞬間】. 11–13s – 【別れの予感】 【小道具や手の動きで別れを暗示】. Close-up of their hands. 13–15s – 【ラスト】 Wide shot from behind. 【1人で歩く後ろ姿】. Camera stays still. Slow fade to black. 【BGMの指示】. No dialogue. 4K HD, cinematic quality, stable camera. Character face stable without deformation, smooth and fluid motion.

【Style】Hollywood Live-Action Blockbuster, IMAX movie quality, 8K ultra-clear, Photorealistic, Dark Fantasy, Unreal Engine 5 realistic rendering, no anime feel. 【Duration】15 seconds 【Scene】Misty forest under moonlight, ground with moist soil and real fallen leaves. [00:00-00:05] Shot 1: Realistic Water FX. 【Close-up】An Asian young swordsman (real actor with visible facial pores), wearing a green-black plaid rough fabric haori (clear fabric texture). Action: Holding a sword with both hands under moonlight, lowering his center of gravity. Effects: As he breathes, the blade does not show cartoon water flow, but instead concentrates **Hyper-realistic Fluid Simulation**, transparent and glowing high-pressure water flow. The water flow wraps around the real blade like a living dragon, water droplets splashing on the lens, refracting moonlight. [00:05-00:10] Shot 2: Lightning Plasma. 【Medium/High-speed photography】Opposite is a blonde young swordsman (real hair flowing), wearing a yellow triangular textured outer coat. Action: Preparing for a draw cut, the mud beneath his feet explodes due to excessive force. Effects: **Real Plasma Arcs** burst in the air, not yellow cartoon lightning. The current pierces through the surrounding real trees, leaving burn marks. [00:10-00:15] Shot 3: Destiny Clash, Physics Collision. 【Slow motion/Big explosion】Two people collide at high speed in the center of the frame. Action: Solid water flow great sword and lightning blade clash fiercely. Effects: No manga lines, only **real physical particle explosion**. Large amounts of water vapor, mud, broken tree branches, and dazzling electric sparks scatter in the air. The shockwave raises ripples of water around their feet. The image is extremely weighty and destructive.

A cinematic, high-contrast motivational scene in THREE shots, pure black background, dramatic single-source overhead lighting, moody film-grain look, 4K, shallow depth of field. CHARACTERS: - YOUNG SELF: the person in <<<image_1>>>. emotional expression. - OLDER SELF: the person in <<<image_2>>>Standing confidently. SHOT 1 (0–5s): Tight close-up of the YOUNG SELF, one hard light from above against total darkness. Looks slightly upward, breathing heavily, sweat catching the light, raw and intense. SHOT 2 (5–8s): Over-the-shoulder shot from BEHIND the YOUNG SELF — his back and head fill the left foreground. He faces the OLDER SELF, who stands small and distant across a pitch-black void. Tense, still. SHOT 3 (8–10s): Wide profile two-shot, camera pulled far back. The YOUNG SELF stands on the left and the OLDER SELF on the right, both in profile on a sloped dark earthy mound, each inside their own vertical beam of light from above. Style: epic, emotional, sports-documentary edit. Slow subtle motion, no fast cuts. Keep both faces clearly resembling the reference photos throughout.

Main subject from @ Image1 — identity lock enabled. The woman in Image1 must remain 100% identical throughout the entire video. Preserve her exact facial structure, eye shape, eyebrows, nose, lips, skin tone, complexion, body proportions, hairstyle, hair color, hair length, necklace, earrings, and overall appearance with zero drift. She is a young woman in her early 20s with naturally fair skin, large warm brown eyes, long dark brown hair with a slightly off-center part and soft natural waves toward the ends, subtle natural makeup, and a gentle, effortless beauty. She wears a fitted light gray ribbed short-sleeve scoop-neck knit top, a small black flower pendant necklace, tiny stud earrings, medium-wash blue jeans, and clean white low-top sneakers. No bag, no hat, no sunglasses, no jacket. Outfit, accessories, and hairstyle remain identical in every scene. The entire video is filmed exclusively as a handheld front-facing smartphone selfie vlog. The phone is always in her own hand. There are absolutely no third-person shots, no external camera, no tripod, no drone, no cinematic coverage, and no impossible viewing angles. Every shot is from the perspective of her personally recording herself during a relaxing day off. Modern Jakarta residential neighborhood. Quiet housing complexes, tree-lined streets, neighborhood park, Indomaret or Alfamart convenience store, peaceful alleys, warm tropical morning sunlight. Everything feels authentic, familiar, and naturally lived-in. Natural smartphone selfie camera language only. Slight arm movement, subtle handheld shake, natural walking bounce, occasional autofocus adjustment, realistic exposure adaptation, small framing imperfections, slight rolling shutter while walking, natural lens distortion from the front-facing camera, occasional brief glances at the screen to check framing. Crisp modern smartphone image quality with realistic HDR, soft natural contrast, accurate skin tones, and true-to-life colors. No cinematic grading, no beauty filter, no vintage effects, no artificial sharpening. Scene 1 She leaves her apartment building while holding the phone at arm's length. She smiles naturally into the selfie camera and says: "Hari ini lagi libur, jadi aku mau jalan-jalan sebentar." Scene 2 Still filming herself, she enters a convenience store, opens the refrigerator with one hand while holding the phone with the other, picks up an iced coffee, smiles at the camera and says: "Kayaknya enak nih, aku coba ya." Scene 3 Holding the phone herself, she walks slowly through a quiet neighborhood park while sipping her coffee. She looks up at the trees, smiles, then back into the camera. "Cuacanya enak banget hari ini." Scene 4 She notices a friendly stray cat beside the sidewalk. Still filming herself, she lowers the phone slightly so both she and the cat remain in frame, crouches down and smiles. "Halo... lucu banget kamu." Scene 5 Continuing her walk, she talks casually to the selfie camera while brushing her hair behind one ear. "Kadang hari-hari yang sederhana justru bikin aku paling bahagia." Final Scene While continuing to walk, she smiles directly into the front camera, waves with her free hand and says: "Sampai ketemu di vlog berikutnya. Dadah!" She laughs naturally, lowers the phone toward her side, and the recording ends exactly as if she pressed the stop button herself. Audio is entirely natural. Her authentic live Indonesian voice, footsteps, soft wind, birds, distant traffic, convenience store ambience, leaves rustling, occasional cat meow. No background music, no narration, no cinematic sound design, and no added effects. Identity consistency requirements: The woman must remain perfectly identical to Image1 from beginning to end. No face morphing, age changes, hairstyle changes, accessory changes, clothing changes, body shape changes, makeup changes, skin tone shifts, or identity drift. Maintain the same facial proportions, hair volume, necklace, clothing texture, and overall appearance across every frame. The spoken Indonesian should sound casual, warm, and natural, like a real Gen Z Indonesian vlogger rather than scripted or formal.

Cinematic anime style, Genshin Impact aesthetic, ultra detailed, high quality, dynamic camera movement with slow motion. A tall and handsome young warrior named Kael Draven stands powerfully in the center of a vast lavender field during golden hour. He has sharp attractive features, silver-gray glowing eyes, dark hair with silver highlights, wearing a long black coat with floating silver armor pieces. He holds a massive two-handed greatsword called Eclipse Greatblade that radiates white astral energy. Suddenly, a massive grotesque monster called Vilethorn Behemoth aggressively bursts out from the ground with a thunderous roar. The monster is extremely tall and bulky, dark gray skin covered in black spikes and glowing red crystals. Its face is horribly ugly and asymmetrical with multiple uneven eyes and a wide jagged mouth full of broken teeth. It immediately charges toward Kael with violent aggression. Kael reacts quickly and dashes forward. He swings his greatsword and creates a bright white astral rift that pulls the monster. The monster roars furiously and violently smashes the ground multiple times with its giant fists, sending dirt and lavender flowers flying aggressively. It then lunges forward and tries to swipe and grab Kael with its massive clawed hand. In slow motion, Kael leaps high into the air, spins gracefully, and delivers a powerful downward strike. His blade creates a massive exploding starlight slash that cuts deep across the monster’s chest. The impact is shown in dramatic slow motion as bright white and golden energy violently bursts from the wound. The monster screams in rage and pain as the force pushes its body backward. The scene is bathed in warm golden sunset lighting with long dramatic shadows and wind blowing through the lavender. Camera work: wide establishing shot → fast action shots → slow motion on the final slash and energy explosion → ending with a powerful overhead shot. Epic atmosphere, intense and aggressive monster movement, smooth motion with intentional slow motion on key impact moments, beautiful anime rendering, cinematic lighting, highly detailed, 15 seconds video.

Ultra-realistic cinematic 15-second vertical video (9:16), 4K, dark rustic wooden table, soft dramatic lighting, shallow depth of field, natural textures, no text, no subtitles, no music.0–2sTop-down shot: delicate hands with soft blue nail polish gently touch a bowl of flour.Around it: scattered blueberries, mint leaves, butter cubes.Subtle ambient movement, calm setup.2–4sSide close shot: flour being sifted into a glass bowl.Fine particles fall in slow motion, catching warm light.4–6sMacro shot: hands kneading dough.Sticky texture stretches between fingers, light flour dust visible on skin.6–8s45-degree angle: fresh blueberries pour into a pie crust.Berries bounce naturally, filling the base with slight movement.8–10sTop angled close-up: hands carefully place lattice strips over the pie.Precise woven pattern forming, smooth controlled motion.10–12sSide shot: oven door opens.Warm golden light spills out with gentle steam.Pie placed inside, heat distortion subtly visible.12–13.5sClose-up: crust brushed with glaze.Surface becomes glossy, light reflecting softly.13.5–14.5sMacro: fresh blueberries and mint placed on top of baked pie.Tiny details, natural imperfections, realistic textures.14.5–15sFinal frontal shot: finished blueberry pie on rustic table.Hands enter frame softly.A small white kitten sits nearby, quietly observing.

A majestic silver dragon stands atop a floating shattered platform in deep space, slowly shifting its weight while gazing at a colossal fiery star. The camera orbits right to left around the scene, tilting upward to emphasize the dragon's regal posture and the star's solar flares. Glowing debris drifts in zero gravity as the dragon's scales shimmer with subsurface scattering, its tail making subtle balancing movements against the cosmic backdrop.

Single continuous uninterrupted cinematic shot, no cuts, one flowing 15-second take — the timing markers below describe pacing within the same unbroken continuous camera move, NOT separate shots or cuts. Shot on ARRI Alexa with anamorphic lenses, photorealistic live-action film, NOT animated, NOT a video game, NOT CGI render. Gritty grounded superhero sequence in a modern city at night under a dark stormy sky. Cinematic color grading with rich teal-and-orange tones, deep crushed shadows, filmic contrast, natural film grain, realistic practical lighting, atmospheric volumetric haze. Photorealistic textures, real human skin with pores and sweat, weathered wet asphalt reflecting streetlights.(0-3s) The shot opens high in the dark sky, the camera positioned directly behind a falling meteor wrapped in real fire and thick black smoke, chasing it from behind as it plunges toward the city streets below, the camera shaking from turbulence. It follows the meteor all the way down until it slams into the street with a grounded heavy practical impact — a real dust-and-debris explosion, cracked asphalt, a rolling shockwave of dust, no glowing magic, just physical destruction.(3-6s) The camera settles on the smoking crater. From within the drifting dust, a figure slowly rises to his feet — the man [ImageReference], wearing a plain black t-shirt and black pants, photorealistic, grounded, cinematic.(6-11s) A transformation begins and the camera slowly orbits around him over about three seconds: rugged hand-forged warrior armor forms over his body — angular overlapping iron plates with a rough hammered texture, layered like ancient tribal battle armor, dark weathered metal with bronze and burnt-gold edging, leather strapping and visible rivets, asymmetric pauldrons with sharp jagged edges, an open rugged helm that leaves his face exposed. The plates lock into place piece by piece like solid forged metal, matte and physical with realistic worn metallic reflections, only faint restrained glowing seams, minimal sparks. Grounded and original, NOT a sleek robotic powered exosuit, NOT smooth curved sci-fi armor, NOT a glowing chest reactor, NOT a closed faceplate helmet, NOT neon.(11-13s) The moment the armor is fully complete, he first breaks into a hard sprint, running forward fast across the street building momentum, then explodes into a powerful dash with a burst of impact — a shockwave of dust kicking up behind him as he launches off the ground — and rockets across the city toward a colossal monster rampaging among the skyscrapers, the camera flying alongside him keeping pace.(13-15s) As he reaches the monster, the action ramps into dramatic slow motion and holds in extended slow motion for the final two seconds — a long sustained slow-motion beat of his fist connecting with the monster's face: the heavy impact, the monster's head slowly snapping back, skin and debris rippling from the force, dust and shards drifting through the air in suspended slow motion, his armored body driving through the punch, lingering in dramatic cinematic slow motion with heavy motion blur until the very end.All of the above happens in ONE single continuous unbroken camera take with no cuts. Photorealistic, grounded, gritty blockbuster live-action film look, restrained color palette, filmic grain, no oversaturation. No music.

Use Image1 as opening frame — side profile ECU, Tesla with Bio-Helmet, callout lines, full game UI: stats left, equipment slots right, name top. Image2 as mid/late reference — back view, massive mechanical wings fully spread, Tesla Wings slot highlighted, wing callout lines around him. Game engine cinematic — Cyberpunk 2077 RPG UI aesthetic. Smooth animations, mechanical physics. CHARACTER: NIKOLA TESLA — tall lean man, dark hair, thin mustache, dark brown Victorian coat, bronze chrome exoskeleton, blue power core chest, mechanical augments, black leather boots. Setting 1: white futuristic lab — circular glowing floor ring, white robotic arms, circular ceiling light, clean sci-fi minimal. Setting 2: cyberpunk night city — multilevel megastructures, dense neon signs blue/purple/red, flying vehicles, rain-slicked surfaces, deep darkness between towers, fog catching neon light. SHOT 1 (00:00–00:03) — WINGS SELECTED Start Image1 exact. Cursor moves to TESLA WINGS slot top right — hovers, card scales up, wings 3D render inside rotates slowly. Cursor clicks. Blue selection ring pulses, slot highlights, dot indicators fill, stars light up. Stats panel: Speed bar surges to max, new FLIGHT stat appears and fills instantly. Camera begins slow pull-back from ECU side profile to mid-shot. Tesla's head turns forward, away from camera. SHOT 2 (00:03–00:06) — WINGS DEPLOY Camera reaches back-view matching Image2 start. From his shoulder blades: mechanical wing mounts emerge — bronze chrome housing pushing through coat, plates folding outward, joints extending, servo motors spinning up. SLOW MOTION 20% — wings unfolding plate by plate, each bronze feather-segment clicking into place, blue energy pulsing along each strut as it extends. Wings reach full span — massive, filling frame, bronze surfaces catching white lab light. Power core back glows intensely blue. Camera locks to Image2 composition. Wing callout lines flash in one by one: AERODYNAMIC LIFT, ENERGY CONDUCTION, SHOCKWAVE BOOST, ADAPTIVE STRUCTURE, STABILIZATION SYSTEM, OFFENSIVE DEPLOYMENT. Each line appears with 0.3s intervals. SHOT 3 (00:06–00:09) — MECHANISM ECU Camera pushes into wings — extreme close up on mechanical internals: bronze feather-plates sliding over each other, tiny gears driving each segment, blue energy channeling through clear tubes along wing struts, central rotor spinning up with energy arcing between contacts, chrome pistons extending. Wing span actively growing — camera pulls back showing wings expanding beyond Image2 size, feather-plates multiplying outward. Blue lightning crackling between wing tips. Lab lighting turns entirely electric blue. Tesla raises arms slightly — wings tilt upward. SHOT 4 (00:09–00:12) — INTERFACE SPLITS Camera pulls to wide lab shot. UI panels begin moving: stats panel slides off-screen left, equipment slots slide off right, name bars dissolve upward. White lab walls begin splitting apart — surfaces hinging outward like a stage set opening, revealing darkness behind them. Through the widening gap: cyberpunk night city emerges — neon towers, rain, flying vehicles, purple blue atmospheric haze, megastructures stretching infinitely upward. Gap widens — lab disappears, replaced by city yawning open. Wind rushes in — Tesla's coat billows forward, wings flex and angle into launch position. Blue lightning intensifies at wing tips. SHOT 5 (00:12–00:15) — THE LAUNCH Tesla crouches — camera low angle from behind, wings massive above, city spread ahead. He launches. Camera tracks from behind — he rockets forward into the city, wings snapping to full extension, blue energy blazing every strut. Speed ramp 300% — buildings rushing past both sides, neon signs blurring to light streaks, rain frozen then streaming backward. Camera pulls wide: tiny figure with enormous glowing wings banking between massive neon towers, climbing fast, power core a blue star in darkness. He banks right — disappears between two megastructures. Neon reflections in wet surfaces below where he flew. Hard cut black. End.

Create a seamless 15-second cinematic historical science video using one reference image. Reference usage: image 1 = storyboard / shot-plan reference. Use it only for action order, scene progression, character continuity, laboratory atmosphere, shot sequence, camera logic, framing ideas, and electrical machine activation timing. Do NOT recreate the storyboard grid, panel layout, borders, captions, labels, numbers, diagrams, or presentation-board design.

make a realistic handheld iphone video of a breakdancer in a breakdancing competition doing air flares while everyone is going crazy. Hip hop music playing loudly. The crowd goes wild as he sticks the freeze!

"Woman dancing disco music, photorealistic scene, continuous shot changes, close-up, wide shot, low-angle shot, no music, ASMR sound" "Thrilling races of souped-up, fire-propelled speedboats on a turbulent river with large waves, jumps, splashes, and a few crashes. Rainy night. Cinematic action scene. Low-angle shot. Slow motion, high definition and detail, no music, clean ASMR sound, splashing sound of the speedboats."

High-quality Japanese anime-style cinematic transformation sequence with “Sakuga”-level fluid animation and breathtaking fire-element combat choreography. Theme: Phoenix Inferno, Crimson Rebirth, Divine Flame Judgment, Eternal Ashes. Character: A silver-white long-haired girl with asymmetrical flame-cut bangs, wearing elegant crimson-and-black flame priestess battle attire with molten-gold ornaments, wielding a gigantic chained infernal whip forged from living fire. World Setting: Ancient Japanese mysticism × Phoenix worship × volcanic fantasy realm × celestial fire rituals. Overall Palette: Burning scarlet, volcanic black, molten gold, blazing amber, ash-gray embers. Effects: Phoenix flames, burning feathers, volcanic ash storms, heat distortion, fiery chains, explosive ember particles, molten lava cracks, solar flare bursts. Animation Quality: Theatrical anime movie quality, Ufotable-level compositing and effects, ultra-fluid 60fps animation, cinematic fire rendering, dynamic cloth simulation, intense camera motion, dramatic lighting, ultra detailed anime sakuga. ━━━━━━━━━━ 00:00–00:03 (Ashen Ritual • Phoenix Seal Ignition) Camera: Extreme close-up of closed eyes → slow cinematic pullback into overhead shot Action: The girl gently raises one hand before her face while glowing ember particles gather around her fingertips. A single burning phoenix feather materializes between her fingers. She crushes it slowly within her palm, causing crimson flames to erupt outward in spiraling currents. Her sleeves and long hair begin floating violently as thermal pressure intensifies. Effects: A gigantic solar-like fire formation ignites beneath her feet. Ancient flame scriptures and rotating phoenix sigils spiral outward across the ground. The earth fractures into glowing lava veins. Burning feathers drift upward against gravity while waves of heat distort the atmosphere. Mood: Sacred rebirth, divine power awakening through silence. ━━━━━━━━━━ 00:03–00:06 (Phoenix Summoning • Celestial Flame Descent) Camera: Rapid rotating tracking shot around the magic circle center Action: The girl extends both arms outward like conducting a ritual orchestra. Flaming chains emerge from the formation and spiral around her body. She performs elegant summoning gestures resembling a ceremonial kagura dance. Her expression remains calm and merciless. Effects: A colossal Phoenix spirit descends from the sky in an explosion of solar fire. Its wings span across the battlefield like burning heavens. Molten-gold eyes pierce through the inferno. Each wingbeat releases storms of fiery feathers and volcanic embers. Space itself ripples from overwhelming heat. Japanese Chant (calm, divine, authoritative): “Phoenix of eternal ashes—descend and burn away all impurity.” Mood: Heavenly judgment descending upon the mortal world. ━━━━━━━━━━ 00:06–00:09 (Soul Fusion • Crimson Rebirth Form) Camera: Upper-body close-up → rapid zoom toward glowing eyes Action: The Phoenix spirit dives directly into her body from above. Flames explode outward as her body levitates slightly from the impact. Her hair transforms into flowing silver-white strands tipped with burning crimson light. She slowly opens her eyes as blazing phoenix patterns spread across her skin. Effects: Molten fire sigils ignite across her arms, neck, and waist armor. Her battle attire transforms into a high-mobility flame priestess execution form. Layered fabric burns away into sleek ceremonial combat garments. A halo of rotating phoenix feathers forms behind her. Her pupils ignite like miniature suns. Details: Ash particles dissolve into glowing embers around her body. Thermal waves pulse outward rhythmically with her heartbeat. Mood: Rebirth completed, ascension into a divine flame sovereign. ━━━━━━━━━━ 00:09–00:12 (Infernal Armament • Blazing Chain Whip Manifestation) Camera: Low-angle full-body shot → dramatic side-view slow-motion freeze frame Action: The girl thrusts one arm forward violently. A gigantic blazing chain whip erupts from condensed infernal flames and molten metal. The whip coils through the air like a living dragon serpent. She swings it once overhead with overwhelming force, shattering the battlefield around her. Effects: Each strike creates massive arcs of explosive fire across the environment. The whip leaves burning trails and molten cracks in the air itself. Phoenix feathers erupt from every impact point. The sheer speed generates violent pressure waves and heat distortion. Weapon Design: Gigantic segmented infernal whip forged from blackened volcanic metal. Each chain segment glows with molten cracks from within. The blade-like whip edges burn with crimson fire. Golden phoenix runes pulse along the weapon. The handle resembles an ancient ceremonial relic wrapped in black silk and flame talismans. Styling: Elegant flame priestess combat attire combined with executioner aesthetics. Lightweight upper-body mobility emphasizing aggressive whip combat. Divine elegance fused with terrifying destructive force. Mood: Weapon manifestation complete, divine execution begins. ━━━━━━━━━━ 00:12–00:15 (Final Stance • Phoenix Judgment) Camera: Fast 360° orbit shot → front-facing cinematic freeze frame Action: The girl cracks the gigantic flaming whip across the battlefield with catastrophic force. A massive phoenix-shaped inferno erupts forward from the strike. She lowers her stance while the fiery chains coil around her body like living serpents. Her gaze becomes cold and absolute—like a goddess preparing final judgment. Effects: Burning phoenix wings expand behind her silhouette. Explosive ember storms rain across the battlefield. The magic circle slowly collapses into drifting ash. Heat distortion violently bends the environment around her. Fiery feathers continue falling like crimson snow. Mood: Absolute intimidation, divine wrath, unstoppable annihilation. ━━━━━━━━━━ Additional Quality Tags: masterpiece, best quality, ultra detailed, anime sakuga, cinematic lighting, phoenix fire effects, blazing feather particles, molten chain whip, Japanese fantasy anime, ufotable style, movie quality animation, volumetric fire lighting, ultra fluid cloth physics, dynamic camera movement, inferno aura, fantasy phoenix priestess, volcanic battlefield atmosphere, glowing rune circle, high-speed combat choreography, magical transformation, phoenix spirit fusion, fiery chain weapon, cinematic destruction effects, crimson flame sovereign, divine execution aesthetic, celestial inferno, molten energy distortion, elegant anime combat design, blazing feather storm, ultra heavy whip weapon, fantasy Japanese mysticism, 60fps fluid animation

“A 10-second origami paper-craft animation. White studio background, clean and bright. Every element is hand-folded paper with visible creases and tactile depth. All pieces slide, fold, or glide into place — nothing appears suddenly. Warm overhead studio lighting. 0:00–1:5s — Bright white background. A single fold line creases slowly outward from center — the first fold of the football pitch. 1:5–3:00s — A vivid green paper pitch unfolds panel by panel from center outward, filling the frame. Bright white paper strip lines fold into position on top — sidelines, center line, center circle, penalty boxes, goal areas. Two small white paper goals fold up at each end. 3:00–4:5s — Stadium tiers fold up from all four edges like a pop-up book — white accordion-folded bleacher rows rising symmetrically. Tiny folded paper fans pack the stands — sky blue and white on the left side, red and white on the right side, arms raised. 4:5–5:5s — Miniature folded paper Argentina flags and Egypt flags rise up from the stands on each side, waving slightly as they unfold. A folded paper FIFA World Cup 2026 banner drops down from the top center. 5:5–7:00s — Three origami Argentina players fold into existence on the left half of the pitch, each unfolding from a flat crease and standing upright. Sharp angular origami bodies, sky blue and white vertical striped shirts, dark shorts, white socks. 7:00–8:00s — Three origami Egypt players fold in from the right side. Solid red shirts, white shorts. They settle facing the Argentina players across the center line. 8:00–9:00s — A folded paper football drops from above and lands on the center spot. A folded paper scoreboard slides down from the top right corner: ARG 3 — 2 EGY in bold clean lettering. 9:00–10:00s — Camera slowly pulls back to reveal the full stadium scene. Flags waving, fans in stands, players on pitch, scoreboard visible. Hold on final wide composition. Style: origami pop-up book aesthetic, white studio setting, bright and clean, warm overhead lighting, visible fold creases on every surface, soft inter-layer shadows. No digital gloss. Color palette: white studio, bright green (#2D8A3E) pitch, white lines, sky blue (#74ACDF) and white for Argentina, red (#CE1126) and white for Egypt, gold (#C9A84C) accents on the World Cup banner and trophy.”

空高くからサッカーボールが飛んでくる。野球のバッターボックスにいる細身の女性は構えを取る。サッカーボールはバッターボックスに近づくにつれて野球ボールへ変化していく。女性は豪快なフルスイングで野球ボールを場外ホームランにする。BGMなし